Mike Hauss, Monster/ TOG film critic extraordinaire hooked me up again with
a reviewer copy for this follow up by Eric McNaughton to his excellent 70’s
Monster Memories, which was tackled a year ago. If you dig the Paxton/ Fenton zine Monster and who doesn't, it's almost as popular as vaping, maybe more and doesn't cause sterility or popcorn lung! Then you'll definitely chip a tooth over We Belong Dead (http://webelongdeadofficial.blogspot.co.uk/) a UK based magazine that offers a PDF that's compatible for various formats like Kindle.
Fellow "Monster Historian or Monstorian" Mike Hauss is a swell guy and I like to think of him as the most reliable dude in terms of delivering a hilarious diatribe on a trash flick and we kind of share the same brain at times because our opinions are very in tune. When most of my writers are dealing with brain block, kids and families eating up their time it’s nice to count on someone that can deliver the goods!
Fellow "Monster Historian or Monstorian" Mike Hauss is a swell guy and I like to think of him as the most reliable dude in terms of delivering a hilarious diatribe on a trash flick and we kind of share the same brain at times because our opinions are very in tune. When most of my writers are dealing with brain block, kids and families eating up their time it’s nice to count on someone that can deliver the goods!
At first glance of the cover for this book, I was
hooked on that cover art by Paul Garner, it’s a total knockout, I love seeing
Orca, Blackula and Winslow Leach hanging out together! Hauss kicks off this
phantasmagoric ocular feast with a Giallo called SEVEN DEAD IN THE CAT’S EYE, a
genre that I normally can’t stay awake during, but I may just fire up some high
octane java and give it a whirl after this endorsement!
Joe Dante gives an
informative and amusing forward, he knows his shit of course and is a huge influence
on practically everyone in the horror genre, we're obviously big fans or Trailers from Hell, so much that we parodied the name for Skunkape's Youtube page (click the skunkape icon on the side for the link). We get rave reviews for some tepid
stuff like THE ASPYX, featuring Jesus of Nazareth himself Brit actor Robert
Powell and William Castle’s feline frying insect swan song BUG, which I just
saw a few weeks ago.
These critics do a fine job of expressing how enthusiastic they are, without condemning each movie's weaknesses, to entice the reader to check them out on their own and I think that's fair. Psychotronic’s Mike Weldon used that method and you knew what he didn’t want to give the time of day or what he raved about.
These critics do a fine job of expressing how enthusiastic they are, without condemning each movie's weaknesses, to entice the reader to check them out on their own and I think that's fair. Psychotronic’s Mike Weldon used that method and you knew what he didn’t want to give the time of day or what he raved about.
SSSSSSS had a traumatic effect on my childhood, I saw it on
channel 5 in NY during their legendary Creature Feature weeks along with
another reptile on the loose classic ALLIGATOR.
Shit! I've fallen and I can't get up do I call pest control or the hospital? |
I like the hodgepodge of Euro choices, French, Japanese,
Italian and the UK are represented and had I picked this book up as a youngster,
I would’ve been influenced to seek out these hard to find movies. There’s some really great poster art and the design of the
book is almost intoxicating with its vivid colors. One of my favorite witch burning
flicks INQUISITION is reviewed by Keiran Fisher, it’s one of the best in the
Spaniard Wolfman’s collection and one of his early works that I'm very fond of.
David Dent even surprised
me with a rare unheard of flick called CHOSEN SURVIVORS, which I plan on
checking out very soon. Clocking in at almost 500 pages, this is an essential
reference guide that is league with most beloved dog eared texts out there and has many
films that even the most jaded viewer could learn something from. Highly
recommended and a lot of fun to read!
Special thanks to Eric Naughton and Steve Kirkham for providing me with this PDF.
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